A Sorcerer comes to a peasant wedding | |
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Artist | Vassily Maximov |
Year | 1875 |
Medium | Oil on canvas |
Dimensions | 188 cm × 116 cm (74 in × 46 in) |
Location | State Tretyakov Gallery, Moscow |
A Sorcerer Comes to a Peasant Wedding is a painting by the Russian artist Vassily Maximov (1844–1911), completed in 1875. It belongs to the State Tretyakov Gallery (inventory number 585). The size of the canvas is 116×188 cm[1] (according to other data - 117.7×189.8 cm).[2][3] The painting depicts an episode of a peasant wedding feast, the joyful course of which is disturbed by the sudden appearance of a snow-covered village sorcerer.[4][5]
Maximov worked on this painting in 1871–1875 and it was presented at 4th Travelling Exhibitions,[6] which opened in St. Petersburg in February 1875.[7][8] Maximov's work made a good impression — in particular, the critic Adrian Prakhov wrote that the painting was "conceived and painted as if his popular imagination had created it".[9][4] Immediately after the exhibition, the canvas was bought from the artist by Pavel Tretyakov.[10][11] In 1878 the painting A Sorcerer Comes to a Peasant Wedding was included in the Russian exposition at the World Exhibition in Paris.[1]
Critic Vladimir Stasov wrote that this painting was a profound and talented picture of "village faith and that domestic spirit which generations of centuries live at home, in remote villages"; in his opinion, it is "the best, most important and most significant" of what Maximov created.[12] Ethnographer Sergey Tokarev noted that in this work the artist "managed to convey extremely expressively and aptly those mixed feelings of superstitious fear, anxiety in the face of some out-of-place power, but at the same time and reverence, which causes all the personality of the old sorcerer who suddenly appeared in the midst of the wedding festivities..."[13] The art historian Dmitry Sarabianov considered the painting A Sorcerer Comes to a Peasant Wedding to be Maximov's best work and wrote that this canvas brought its author universal fame and placed him "in the first ranks of Russian artists-realists".[14]