Blue Moves | ||||
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Studio album by | ||||
Released | 22 October 1976 | |||
Recorded | March 23 to June 1976 | |||
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Length | 84:49 | |||
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Producer | Gus Dudgeon | |||
Elton John chronology | ||||
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Singles from Blue Moves | ||||
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Blue Moves is the eleventh studio album by English musician Elton John. It was released on 22 October 1976 through John's own Rocket Record Company (his first for the label), alongside MCA Records in certain countries. John's second double album, it was recorded at EMI Studios, Brother Studios, Eastern Sound and Sunset Sound Recorders, and was his last to be produced by longtime collaborator Gus Dudgeon until Ice on Fire (1985). Additionally, the album would be the last collaboration between John and lyricist Bernie Taupin for the next few years[a] until a partial resumption of their working partnership with 21 at 33 (1980).
The music on Blue Moves is considered some of John's most experimental, fusing genres such as pop, gospel, disco and jazz while also including orchestral elements and extended song lengths. Guests on the album include David Crosby, Graham Nash, Bruce Johnston and Toni Tennille contributing backing vocals, alongside performances by both the Martyn Ford Orchestra and London Symphony Orchestra, the former of which performing string arrangements by Paul Buckmaster.
Upon its release, Blue Moves received mixed reviews. Some critics found the album to be excessive, while others felt it did not include enough strong material to warrant its length. However, some retrospective reviews have been more positive, highlighting it as one of John's most underrated releases and praising its experimental nature, and John himself has declared it one of his favorites. Blue Moves reached number 3 in the US, breaking his streak of number one albums there, while it matched that position in the UK. The album's first single, "Sorry Seems to Be the Hardest Word", reached the top 10 in the US and the top 20 in the UK, while further singles "Bite Your Lip (Get Up and Dance!)" and "Crazy Water" (only released in the UK) both reached the top 30. The album would go on to be certified both Platinum by the RIAA and Gold by the BPI.
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