Commit This to Memory | ||||
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Studio album by | ||||
Released | June 7, 2005 | |||
Recorded | October–November 2004 Seedy Underbelly Studios (Valley Village, California) Sound Castle (Silver Lake, California) Cello Studios (Hollywood, California) | |||
Genre | ||||
Length | 39:19 | |||
Label | Epitaph | |||
Producer | Mark Hoppus | |||
Motion City Soundtrack chronology | ||||
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Singles from Commit This to Memory | ||||
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Commit This to Memory is the second studio album by American rock band Motion City Soundtrack. Produced by Mark Hoppus, the album was released on June 7, 2005, in the United States by Epitaph Records. The Minnesota-based rock act formed in 1997, developing their emotionally-charged, pop-punk sound over the interim years. Their debut LP, I Am the Movie, saw release on independent label Epitaph in 2003. It was followed with a heavy touring schedule, including stints on the Warped Tour and as the opening act for multi-platinum group Blink-182. Blink bassist Hoppus took a liking to the quintet, offering to produce their next studio effort.
Recorded over six weeks in late 2004, Commit This to Memory was created largely at Seedy Underbelly Studios, a suburban home converted into a studio in Los Angeles' Valley Village region. The album was partially composed there and in their hometown of Minneapolis, during a period in which frontman Justin Pierre was seeking treatment for alcohol abuse. He aimed for stronger storytelling in his lyricism, inspired by the work of Tom Waits, Ben Folds, and John K. Samson. Hoppus mainly worked with the band on finalizing song arrangements.
Commit This to Memory became the band's breakthrough and remains the band's most successful release. Both the album and main single "Everything Is Alright" were certified gold by the Recording Industry Association of America. The album peaked at number two on Billboard's Independent Albums chart. The singles' music videos achieved rotation on cable channel MTV2 while the band toured alongside Fall Out Boy and Panic! at the Disco. In 2014, The A.V. Club referred to the album as a pop punk classic, "full of hook-laden, keyboard-assisted songs whose bright melodies don't mask the despair and self-loathing lurking beneath them."[2]