Electro | |
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Other names | Electro-funk, electro-boogie |
Stylistic origins | |
Cultural origins | Early 1980s,[1] Europe, Japan, U.S. (New York City, Detroit) |
Derivative forms | |
Subgenres | |
Fusion genres | |
Electro (or electro-funk)[3][4] is a genre of Electronic dance music directly influenced by the use of the Roland TR-808 drum machines[5][6], with an immediate origin in early hip hop and funk genres.[7][8] Records in the genre typically feature heavy electronic sounds, usually without vocals; if vocals are present, they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. It palpably deviates from its predecessor boogie by being less vocal-oriented and more focused on electronic beats produced by drum machines.
Following the decline of disco music in the United States, electro emerged as a fusion of funk[9] and early hip hop with principal influences from New York boogie, and German and Japanese electronic pop music. The genre emerged with musicians Arthur Baker, Afrika Bambaataa, Warp 9, and Hashim. Seminal electro tracks included "Planet Rock" (1982) and "Nunk" (1982), both featuring its characteristic TR-808 drum beats.
The early 1980s were electro's mainstream peak. By the mid-1980s, the genre moved away from its electronic and funk influences, using harder edged beats and rock samples, exemplified by Run DMC. Electro became popular again in the late 1990s with artists such as Anthony Rother and DJs such as Dave Clarke.[10] A third wave of popularity occurred in 2007. Electro has branched out into subgenres, including electrocore and skweee.
wire_1996
was invoked but never defined (see the help page).The dominant style at Hard Summer, provided by artists like Zedd, Erol Alkan and Bloody Beetroots, is what's been tagged 'electro house', although to my ears it has little relationship with either house or electro (in the original eighties 808-bass-bumping sense).