F-flat major

F-flat major
{ \magnifyStaff #3/2 \omit Score.TimeSignature \key fes \major s16 \clef F \key fes \major s^"" }

Alternative notations
{ \magnifyStaff #3/2 \omit Score.TimeSignature \set Staff.keyAlterations = #`((6 . ,FLAT)(2 . ,FLAT)(5 . ,FLAT)(1 . ,FLAT)(4 . ,FLAT)(0 . ,FLAT)(3 . ,FLAT)(6 . ,DOUBLE-FLAT)) s^"" }

{ \magnifyStaff #3/2 \omit Score.TimeSignature \set Staff.keyAlterations = #`((6 . ,DOUBLE-FLAT)(2 . ,FLAT)(5 . ,FLAT)(1 . ,FLAT)(4 . ,FLAT)(0 . ,FLAT)(3 . ,FLAT)) s^"" }
Relative keyD-flat minor (theoretical)
enharmonic: C-sharp minor
Parallel keyF-flat minor (theoretical)
enharmonic: E minor
Dominant keyC-flat major
SubdominantB-double flat major (theoretical)
enharmonic: A major
EnharmonicE major
Component pitches
F, G, A, Bdouble flat, C, D, E

F-flat major (or the key of F-flat) is a theoretical key based on F, consisting of the pitches F, G, A, B double flat, C, D, and E. Its key signature has one double flat and six flats.[1]

The F-flat major scale is:

  {
\omit Score.TimeSignature \relative c' {
  \key fes \major \time 7/4 fes ges aes beses ces des ees fes ees des ces beses aes ges fes2
  \clef F \key fes \major
} }

Its relative minor is D-flat minor, usually replaced by C-sharp minor (see reason below) and its parallel minor is F-flat minor, which is normally replaced by E minor, since F-flat minor's four double-flats make it generally impractical to use. Because of that, it is usually enharmonic to E major with four sharps.

The scale-degree chords of F-flat major are:

  1. ^ Nicolas Slonimsky (1960). The Road to Music. New York: Dodd, Mead, & Co. p. 16.

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