Hellraiser: Bloodline

Hellraiser: Bloodline
Promotional film poster
Directed by	Kevin Yagher[a]
Written by	Peter Atkins
Produced by	Nancy Rae Stone
Starring	Bruce Ramsay Valentina Vargas Doug Bradley
Cinematography	Gerry Lively
Edited by	Randy Bricker Rod Dean Jim Prior
Music by	Daniel Licht
Production companies	Dimension Films[1] Trans Atlantic Entertainment[1]
Distributed by	Miramax Films
Release date	March 8, 1996 (1996-03-08)
Running time	85 minutes
Country	United States[2]
Language	English
Budget	$4 million[3]
Box office	$9.3 million[4]

Hellraiser: Bloodline (also known as Hellraiser IV: Bloodline) is a 1996 American science fiction horror film and the fourth installment in the Hellraiser series, which serves as both a prequel and a sequel. Directed by Kevin Yagher and Joe Chappelle, the film stars Doug Bradley as Pinhead, reprising his role and now the only remaining original character and cast member. It also features Bruce Ramsay, Valentina Vargas, Kim Myers and Adam Scott in his first major film role. It was the last Hellraiser film to be released theatrically and the last to have any major official involvement with series creator Clive Barker until the 2022 reboot.

In the 18th century, a celebrated toymaker (Ramsay) is hired to create his greatest work, the Lament Configuration, not knowing that it will allow the summoning of the demonic Cenobites, including Pinhead (Bradley) and Angelique (Vargas). Hundreds of years in the future, the toymaker's descendant (also played by Ramsay), an engineer, has designed a space station that he believes can trap and destroy the Cenobites. Major themes include time, toys and game-playing, adultery and slavery.

The film had a troubled history and, after completing the film, original director Yagher left the production when distributor Miramax demanded new scenes be shot. It was subsequently completed by Chappelle. The new scenes and re-shoots changed several characters' relationships, gave the film a happy ending, introduced Pinhead earlier, and cut 25 minutes. Yagher felt the changes diverged too strongly from his vision and was granted the Alan Smithee pseudonym, an alias used by directors who want to go uncredited. Miramax released it in the United States on March 8, where it grossed $9 million. It was not screened for critics and received negative reviews.

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