![]() | This article may require copy editing for grammar, style, cohesion, tone, or spelling. (December 2023) |
Jeong Seo-kyeong | |
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정서경 | |
Born | 1975 |
Other names | Chung Seo-kyung |
Education | Philosophy Department at Seoul National University |
Alma mater | Korea National University of Arts |
Occupation | Screenwriter |
Years active | 2002–present |
Organization(s) | Korea Television and Radio Writers Association (KTRWA) |
Honours | Presidential Commendation |
Korean name | |
Hangul | 정서경 |
Revised Romanization | Jeong Seo-gyeong |
McCune–Reischauer | Jeong Sŏkyŏng |
Jeong Seo-kyeong (Korean: 정서경; born 1975) is a South Korean screenwriter. In 2002, she debuted as an independent film director and scriptwriter with the short film Electricians. She is best known for her works with critically acclaimed director Park Chan-wook, such as Lady Vengeance (2005), I'm a Cyborg, But That's OK (2006), Thirst (2009), The Handmaiden (2016) and Decision to Leave (2022).
She has received numerous awards and nominations for her screenwriting work, both domestically and internationally. Recognitions include accolades from the Asian Film Awards, Baeksang Art Awards, Blue Dragon Awards, the Chicago Film Critics Association, and the Sitges Film Festival. Her fondness for thrillers and the unconventional has garnered her a dedicated fan base and critical acclaim. Other than being a frequent Park Chan-wook collaborator, Jeong is regarded as one of the best film and television writers in Korea today.
In June 2018, the Academy of Motion Picture Arts and Sciences (AMPAS) extended invitations to its new members for that year. Among the invitees were 14 individuals from the Korean film industry, comprising directors, actors, and professionals in various technical roles. Jeong was among those who received an invitation as a new member.[1][2]