Jonah Goldberg | |
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![]() Goldberg in 2012 | |
Born | Jonah Jacob Goldberg March 21, 1969 New York City, New York, U.S. |
Education | Goucher College (BA) |
Occupation(s) | Journalist and author |
Employer | The Dispatch |
Spouse | |
Children | 1 |
Relatives | Lucianne Goldberg (mother) |
This article is part of a series on |
Conservatism in the United States |
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Jonah Jacob Goldberg (born March 21, 1969) is an American conservative syndicated columnist, author, political analyst, and commentator. The founding editor of National Review Online, from 1998 until 2019, he was an editor at National Review.[1] Goldberg writes a weekly column about politics and culture for the Los Angeles Times.[2] In October 2019, Goldberg became the founding editor of the online opinion and news publication The Dispatch.[3][4][5][6] Goldberg has authored the No. 1 New York Times bestseller Liberal Fascism, released in January 2008; The Tyranny of Cliches: How Liberals Cheat in the War of Ideas, released in 2012;[7] and Suicide of the West, which was published in April 2018 and also became a New York Times bestseller, reaching No. 5 on the list the following month.[8][9]
Goldberg is also a regular contributor on news networks such as CNN and MSNBC, appearing on various television programs including Good Morning America, Nightline, Hardball with Chris Matthews, Real Time with Bill Maher, Larry King Live, Your World with Neil Cavuto, the Glenn Beck Program, and The Daily Show with Jon Stewart. Goldberg was an occasional guest on a number of Fox News shows such as The Five, The Greg Gutfeld Show, and Outnumbered. He was also a frequent panelist on Special Report with Bret Baier. From 2006 to 2010, Goldberg was a frequent participant on bloggingheads.tv. Goldberg has been a noted critic of President Donald Trump, fellow Republicans, and the conservative media complex during and after the Trump presidency.[10] In November 2021, Goldberg and his colleague Steve Hayes resigned from Fox News in protest over Tucker Carlson's documentary Patriot Purge. Goldberg described the documentary as "a collection of incoherent conspiracy-mongering, riddled with factual inaccuracies, half-truths, deceptive imagery, and damning omissions."[11]
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