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Khmer architecture (Khmer: ស្ថាបត្យកម្មខ្មែរ), also known as Angkorian architecture (Khmer: ស្ថាបត្យកម្មសម័យអង្គរ), is the architecture produced by the Khmers during the Angkor period of the Khmer Empire from approximately the later half of the 8th century CE to the first half of the 15th century CE.
The architecture of the Indian rock-cut temples, particularly in sculpture, had an influence on Southeast Asia and was widely adopted into the Indianised architecture of Cambodian (Khmer), Annamese and Javanese temples (of the Greater India).[1][2] Evolved from Indian influences, Khmer architecture became clearly distinct from that of the Indian sub-continent as it developed its own special characteristics, some of which were created independently and others of which were incorporated from neighboring cultural traditions, resulting in a new artistic style in Asian architecture unique to the Angkorian tradition.[3] The development of Khmer architecture as a distinct style is particularly evident in artistic depictions of divine and royal figures with facial features representative of the local Khmer population, including rounder faces, broader brows, and other physical characteristics.[4] In any study of Angkorian architecture, the emphasis is necessarily on religious architecture, since all the remaining Angkorian buildings are religious in nature. During the period of Angkor, only temples and other religious buildings were constructed of stone.
Non-religious buildings such as dwellings were constructed of perishable materials such as wood, and so have not survived. The religious architecture of Angkor has characteristic structures, elements, and motifs, which are identified in the glossary below. Since a number of different architectural styles succeeded one another during the Angkorean period, not all of these features were equally in evidence throughout the period. Indeed, scholars have referred to the presence or absence of such features as one source of evidence for dating the remains.