Luna | |
---|---|
Goddess of the Moon | |
![]() Luna (AD 150–200, Musée d'Art et d'Histoire de Genève) | |
Planet | Moon[1] |
Symbol | Chariot, crescent moon |
Day | Monday (dies Lunae) |
Temples | Aventine Hill, Palatine Hill |
Genealogy | |
Siblings | Sol, Aurora |
Equivalents | |
Greek equivalent | Selene |
Indo-European equivalent | Meh₁not |
In Sabine and ancient Roman religion and myth, Luna is the divine embodiment of the Moon (Latin Lūna [ˈɫ̪uːnä]). She is often presented as the female complement of the Sun, Sol, conceived of as a god. Luna is also sometimes represented as an aspect of the Roman triple goddess (diva triformis), along with Diana and either Proserpina or Hecate. Luna is not always a distinct goddess, but sometimes rather an epithet that specializes a goddess, since both Diana and Juno are identified as moon goddesses.[2]
In Roman art, Luna attributes are the crescent moon plus the two-yoke chariot (biga). In the Carmen Saeculare, performed in 17 BC, Horace invokes her as the "two-horned queen of the stars" (siderum regina bicornis), bidding her to listen to the girls singing as Apollo listens to the boys.[3]
Varro categorized Luna and Sol among the visible gods, as distinguished from invisible gods such as Neptune, and deified mortals such as Hercules.[4] She was one of the deities Macrobius proposed as the secret tutelary of Rome.[5] In Imperial cult, Sol and Luna can represent the extent of Roman rule over the world, with the aim of guaranteeing peace.[6]
Luna's Greek counterpart was Selene. In Roman art and literature, myths of Selene are adapted under the name of Luna. The myth of Endymion, for instance, was a popular subject for Roman wall painting.[7]