With an estimated population in 2023 of 8,258,035 distributed over 300.46 square miles (778.2 km2), the city is the most densely populated major city in the United States. New York City has more than double the population of Los Angeles, the nation's second-most populous city. New York is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the U.S. by both population and urban area. With more than 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York City is one of the world's most populous megacities. The city and its metropolitan area are the premier gateway for legal immigration to the United States. As many as 800 languages are spoken in New York City, making it the most linguistically diverse city in the world. In 2021, the city was home to nearly 3.1 million residents born outside the U.S., the largest foreign-born population of any city in the world. (Full article...)
The Jackson Avenue station opened on November 26, 1904, as part of the initial segment of the IRT White Plains Road Line. The station was first served by elevated trains from the IRT Second Avenue Line and the IRT Third Avenue Line, and direct service from the IRT Lenox Avenue Line started in 1905. The Bergen Avenue cutoff, which carried trains between Jackson Avenue and the Third Avenue Line's express tracks, was in operation from 1917 to 1946. The platforms were extended in 1949, and the northbound fare control area was replaced after a 1977 fire. The station has been listed on the National Register of Historic Places since 2004. (Full article...)
The building is on a site bounded by Broadway and Whitehall Street to the west, Beaver Street to the north, and Stone Street to the south. It fills most of the lot, with the building rising in triple setbacks. The facade is covered in blue-green tinted glass, which dates from a 1999 redesign by Skidmore, Owings & Merrill.
The site was previously occupied by the George B. Post–designed New York Produce Exchange building, which was completed in 1884. Plans for the skyscraper date to 1953, when William Lescaze devised plans to replace the Produce Exchange Building. Emery Roth & Sons were selected to be the architects when Uris Buildings Corporation took over the project. The original tenants were largely financial firms, while the Produce Exchange owned the land under the building and occupied some lower floors. Olympia and York acquired 2 Broadway in 1976 and the underlying land in 1983. After the building became mostly vacant during the early 1990s, Tamir Sapir purchased 2 Broadway in 1995. The building was renovated after the MTA leased all the space in 1998, although the project encountered high costs and several delays. (Full article...)
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Construction progress in December 1933
The construction of the Rockefeller Center complex in New York City was conceived as an urban renewal project in the late 1920s, spearheaded by John D. Rockefeller Jr. to help revitalize Midtown Manhattan. Rockefeller Center is on one of Columbia University's former campuses and is bounded by Fifth Avenue to the east, Sixth Avenue (Avenue of the Americas) to the west, 48th Street to the south, and 51st Street to the north. The center occupies 22 acres (8.9 ha) in total, with some 17 million square feet (1.6 million square meters) of office space.
Columbia University had acquired the site in the early 19th century but had moved to Morningside Heights in Upper Manhattan in the early 1900s. By the 1920s, Fifth Avenue in Midtown Manhattan was a prime site for development. Around that time, the Metropolitan Opera (Met) was looking for a new site for their opera house, and architect Benjamin Wistar Morris decided on the former Columbia site.
Rockefeller eventually became involved in the project and leased the Columbia site in 1928 for 87 years. The lease excluded land along the east side of Sixth Avenue to the west of the Rockefeller property, as well as at the site's southeast corner. He hired Todd, Robertson, and Todd as design consultants and selected the architectural firms of Corbett, Harrison & MacMurray, Hood, Godley & Fouilhoux, and Reinhard & Hofmeister for the opera complex. However, the Met was unsure about moving there, and the Wall Street Crash of 1929 put an end to the plans. Rockefeller instead entered into negotiations with the Radio Corporation of America (RCA) to create a mass-media complex on the site. A new plan was released in January 1930, and an update to the plan was presented after Rockefeller obtained a lease for the land along Sixth Avenue. Revisions continued until March 1931, when the current site design was unveiled. A late change to the proposal included a complex of internationally themed structures along Fifth Avenue. (Full article...)
The 38-story building is designed in the Art Deco style, with Middle Eastern influences, and contains numerous setbacks as mandated by the 1916 Zoning Resolution. The facade is mostly designed with brick walls and limestone trim. The base of the facade is ornamented with two bronze entrances and multiple mythological figures, while the top contains a "tower" with Mesopotamian style bas-reliefs and faience tiles. Other multicolored details such as ornamental friezes ornament the facade. The Middle Eastern design motifs are also used in the lobby, which contains a polychrome vaulted ceiling.
The Fred F. French Building has approximately 430,000 square feet (40,000 m2) for rent and is owned by The Feil Organization. It was the tallest building on Fifth Avenue as well as one of the most desired addresses on the avenue upon its completion. By the 1990s, it underwent a complete restoration, subsequently earning the Building Owners and Managers Association's 1994/1995 Historic Building of the Year Award. The Fred F. French Building and its interior became New York City designated landmarks in 1986, and the building was added to the National Register of Historic Places in 2004. (Full article...)
The General Electric Building, also known as 570 Lexington Avenue, is a skyscraper at the southwestern corner of Lexington Avenue and 51st Street in Midtown Manhattan, New York City. The building, designed by Cross & Cross and completed in 1931, was known as the RCA Victor Building during its construction. The General Electric Building is sometimes known by its address to avoid confusion with 30 Rockefeller Plaza, which was once known as the GE Building.
570 Lexington Avenue contains a 50-floor, 640-foot-tall (200 m) stylized Gothic octagonal brick tower, with elaborate Art Deco decorations of lightning bolts showing the power of electricity. The tower is set back from the round-cornered base with elaborate masonry and architectural figural sculpture. The building was designed to blend with the low Byzantine dome of the adjacent St. Bartholomew's Episcopal Church on Park Avenue, with the same brick coloring and architectural terracotta decoration. The crown of the building, an example of Gothic tracery, is intended to represent electricity and radio waves. On the corner above the building's main entrance is a clock with the cursive GE logo and a pair of disembodied silver arms holding bolts of electricity.
Plans for the building were announced in 1929, and it was completed two years later. The project was originally commissioned for RCA, then a subsidiary of General Electric (GE). RCA moved to 30 Rockefeller Plaza midway through construction, and 570 Lexington Avenue was conveyed to GE as part of an agreement in which RCA and GE split their properties. GE had its headquarters at 570 Lexington Avenue between 1933 and 1974, and retained ownership until 1993, when the building was donated to Columbia University. The building was extensively renovated by Ernest de Castro of the WCA Design Group in the 1990s. It was designated a New York City landmark in 1985 and was added to the National Register of Historic Places in 2004. (Full article...)
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Astoria Park is a 59.96-acre (24.26 ha) public park in the Astoria neighborhood of Queens in New York City. The park is situated on the eastern shore of the Hell Gate, a strait of the East River, between Ditmars Boulevard to the north and Hoyt Avenue to the south. The Robert F. Kennedy (Triborough) and Hell Gate Bridges respectively pass over the park's southern and northern sections. Astoria Park contains a playground, a soccer field, a running track, a skate park, and courts for tennis, basketball, and bocce. Astoria Park also includes the Astoria Play Center, which consists of a recreation center and a pool. The park and play center are maintained by the New York City Department of Parks and Recreation (NYC Parks).
Astoria Park was planned in 1905, but the land was not acquired until October 1913. Astoria Park was formally named after the surrounding neighborhood in December 1913, and recreational facilities gradually opened within the park during the next two decades. The pool and bathhouse were designed by John Hatton during a Works Progress Administration project in 1935–1936 and was used for the United States Olympic Trials for swimming during 1936, 1952, and 1964. The park was extensively renovated in the 1980s and the late 2010s. The Astoria Play Center was designated a city landmark by the New York City Landmarks Preservation Commission in 2007. (Full article...)
The Ed Sullivan Theater was built in conjunction with a 13-story Gothic-style office building facing Broadway. An entrance vestibule and two lobbies lead from the main entrance on Broadway to the auditorium on 53rd Street. The auditorium was purposely designed to resemble a cathedral, unlike other structures that were designed as Broadway theaters. It has a domed ceiling with ribs, as well as walls with stained glass. Though the seating arrangement and stage have been heavily modified from their original design, many of the design elements in the lobbies and auditorium are intact.
Hammerstein operated the theater from 1927 to 1931, when he lost it to foreclosure. For the next five years, the theater was leased to multiple operators as both a theater and a music hall. The theater became a venue for CBS radio broadcasts in 1936, and it was converted to TV broadcasting in 1950. Under the Studio 50 name, the theater housed The Ed Sullivan Show from 1953 to 1971, as well as other shows such as The Garry Moore Show and The Jackie Gleason Show. Studio 50 was renamed after Ed Sullivan in 1967, and Reeves Entertainment used the Sullivan in the 1980s as a broadcast facility. The Sullivan has staged CBS's The Late Show franchise since 1993, first under David Letterman, then under Stephen Colbert since 2015. (Full article...)
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Front of the building (2023)
185 Montague Street, also known as the National Title Guaranty Company Building, is a commercial building in the Brooklyn Heights neighborhood of Brooklyn in New York City, United States. Constructed for the National Title Guaranty Company between 1929 and 1930, the 16-story building was designed by Harvey Wiley Corbett and Wallace Harrison in the Art Deco style. 185 Montague Street was built by the William Kennedy Construction Company as part of "Bank Row", a series of bank buildings on Montague Street within Brooklyn Heights.
The building's facade is made of brick and limestone. The first two stories are decorated with a limestone screen with panels designed by Rene Paul Chambellan, as well as a pair of asymmetrical openings. The upper stories contain brick piers, which divide the facade vertically, and ornamental brick spandrel panels, which separate the windows on different stories. with setbacks above the 12th story to comply with the 1916 Zoning Resolution. The ground story and basement originally contained a modern-style bank branch with decorations such as terrazzo floors and a colorful ceiling. The National Title Guaranty Company and its subsidiaries occupied the lowest five stories and the basement, while the upper stories were rented out.
The National Title Guaranty Company was established at 172–174 Montague Street in 1924 and expanded significantly over the next three years, with offices across Long Island. To accommodate its growing size, National Title Guaranty bought the sites at 185 and 187 Montague Street in early 1929. National Title Guaranty had moved its offices to the building by November 1929, and 185 Montague Street officially opened on April 3, 1930. Although the building was fully occupied from its opening, the National Title Guaranty Company was liquidated in 1935. The bank branch on the lower stories was subsequently occupied by several other banks, and the building's owners unsuccessfully proposed demolishing the upper stories in the 1940s. The banking space had become a Chipotle Mexican Grill restaurant by the 21st century, and the building became a New York City designated landmark in 2017. (Full article...)
The Park Avenue Viaduct, also known as the Pershing Square Viaduct, is a roadway in Manhattan, New York City. It carries vehicular traffic on Park Avenue from 40th to 46th Streets. The viaduct is composed of two sections: a steel viaduct with two roadways from 40th to 42nd Streets, as well as a pair of roadways between 42nd and 46th Streets. The section from 40th to 42nd Streets was designated a New York City landmark in 1980 and was listed on the National Register of Historic Places in 1983. The street-level service roads of Park Avenue, which flank the viaduct between 40th and 42nd Streets, are called Pershing Square. The section of the viaduct between 42nd and 46th Streets travels around Grand Central Terminal and the MetLife Building, then through the Helmsley Building; all three buildings lie across the north–south axis of the avenue.
The viaduct was first proposed by New York Central Railroad president William J. Wilgus in 1900 as part of the construction of Grand Central Terminal. Construction on the viaduct's western leg began in 1917, after the terminal had opened, and was completed in 1919. The western leg initially carried two-way traffic, so the eastern leg was completed for northbound traffic in 1928, and the western leg was reconfigured to carry southbound traffic only. An information booth was established in 1939 beneath the viaduct, and the city renovated the viaduct in the early 1990s. (Full article...)
In 1992, Gaven played the character Mrs. Walker in a new production called The Who's Tommy at La Jolla Playhouse. The musical was a success, resulting in its move to Broadway in 1993. Gaven was praised by critics for her performance and received a Tony Award nomination in the "Best Featured Actress in a Musical" category. She eventually had to leave The Who's Tommy before its Broadway run ended because of an allergic reaction to a smoke effect used in the show. In 1995, she won an Ovation Award and a Los Angeles Drama Critics Circle Award for her portrayal of Florence Vassy in Chess at Hudson Theatre. She was also awarded an Ovation Award for the role of Mother in the staging of the musical Ragtime at Shubert Theatre in 1997. Gaven's latest role in a musical was in a 2001 production of 1776 by UCLA's Freud Playhouse. Since then she has appeared in concerts and fundraisers.
Gaven has also made guest star appearances in numerous television shows and films, playing both live-action and animated roles. She voiced several characters in the animated series The Simpsons from 1999 until 2002, including Maude Flanders, Helen Lovejoy, Miss Hoover, and others. She was hired after Maggie Roswell departed from the show, due to a pay dispute. She has not been heard on the show since Roswell's return in 2002. Gaven has also lent her voice to television and radio advertisements. She is currently married to Seth Gaven owner of AV Squad, a film marketing company. They have two children, Michael and Katherine. (Full article...)
55 Water Street is composed of two sections: a 53-story tower to the south and a 15-story wing to the north. The building's facade is made of masonry and glass. The south building is rectangular, while the north building contains sloped walls and runs parallel to the northwestern boundary of the site. The foundations are made of reinforced concrete-slab walls and the superstructure is made of steel. The upper stories each contain 55,000 sq ft (5,100 m2) of space, while the lower stories are almost double that size. There is an elevated public plaza on the eastern part of the site, known as Elevated Acre. Another public space to the southwest, Jeannette Park (now Vietnam Veterans Plaza), was expanded when 55 Water Street was constructed.
The Uris Buildings Corporation proposed erecting a 53-story building on the site in October 1968, and work began the next year. The building was topped out with a ceremony on June 18, 1971, and tenants began moving into the structure at the beginning of 1972. Initially, several financial firms occupied space at 55 Water Street, including the Chemical Bank of New York, which leased roughly a third of the space and owned 15 percent of the building. National Kinney Corporation bought a majority stake in the Uris properties by late 1973, and it sold 55 Water Street to Olympia and York in 1976. RSA bought the building in 1993 after Olympia and York had difficulties paying off the mortgage. The building was renovated in the 1990s and again in the 2010s. (Full article...)
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The Unisphere with its fountains and spectators
The Unisphere is a spherical stainless steel representation of the Earth at Flushing Meadows–Corona Park in the borough of Queens in New York City, New York, U.S. The globe was designed by Gilmore D. Clarke for the 1964 New York World's Fair. Commissioned to celebrate the beginning of the space age, the Unisphere was conceived and constructed as the theme symbol of the World's Fair. The theme of the World's Fair was "Peace Through Understanding", and the Unisphere represented the theme of global interdependence, being dedicated to "Man's Achievements on a Shrinking Globe in an Expanding Universe".
Clarke devised plans for the Unisphere while aboard an airplane in 1960. New York City Department of Parks and Recreation commissioner Robert Moses, who had already rejected two plans for iconic structures at the 1964 fair, approved Clarke's proposal in early 1961. After further refinements, the Unisphere was constructed by American Bridge Company, a division of U.S. Steel, from March to August 1963. Over 51 million people visited the Unisphere during the World's Fair, after which it became a permanent attraction of Flushing Meadows–Corona Park. In the 1970s, the Unisphere was not maintained and became visibly dirty; it was restored in the early 1990s. The Unisphere was made a New York City designated landmark in 1995 and, after another period of disrepair, it was restored in the early 2010s.
The Unisphere measures 140 feet (43 m) high and 120 feet (37 m) in diameter. It sits atop a 20-foot-tall (6.1 m) tripod base with over 500 steel pieces representing the countries, as well as three steel rings representing the first artificial satellites orbiting Earth. Around the Unisphere is a reflecting pool measuring 310 feet (94 m) in diameter, surrounded by 48 pairs of fountainheads. (Full article...)
The hotel has two wings, one on 45th Street and one on 46th Street, connected by a podium at ground level. The first two stories contain retail space, while the Marquis Theatre was built within the building's third floor. The hotel's atrium lobby is at the eighth floor and also includes meeting space and restaurants. Thirty-six stories of guestrooms rise above the lobby, overlooking it. The top three stories contain the View, one of New York City's highest restaurants. An architectural feature of the hotel is its concrete elevator core, which consists of a minaret-shaped structure with twelve glass elevator cabs on the exterior.
Real estate agent Peter Sharp acquired the site in the 1960s with plans to build an office building on the site. The hotel was first announced in 1972 and official plans were released in 1973, but the hotel was postponed after the New York City fiscal crisis in 1975. The hotel was restarted in the late 1970s under mayor Ed Koch. There was extensive controversy over the destruction of five old theaters on the site, and various lawsuits and protests delayed the start of construction until 1982. By the time construction began, Westin had been replaced with Marriott. The hotel opened on September 3, 1985, and has undergone several renovations and modifications since then. By the late 1990s, the hotel was one of the most profitable in the Marriott chain. Marriott bought out Portman's minority ownership stake in 1993 and acquired the underlying site in 2013. (Full article...)
Eusebia Cosme Almanza (5 March 1908 – 11 July 1976) was a Cuban poetry reciter and actress who gained widespread fame in the 1930s. Because of racial segregation, Cosme did not pursue an acting career in the traditional Cuban theater, instead focusing on the art of declamation, or poetry reading. She was the sole Cuban woman and one of the few black women to participate in African-themed declamation. Her performances went beyond reciting the poems, as she used gestures, facial expression and vocal rhythm to convey the emotion of the written word. Focusing on works that served as social commentary on race, gender, and the disparity of the position of blacks in both Latin America and the United States, Cosme was recognized as a master of her craft. Beginning her career in variety shows, she performed in Cuba until the late 1930s, before embarking on international tours.
In 1938, Cosme moved to the United States. She became a naturalized US citizen in the 1940s. She performed to sold-out houses at venues including Carnegie Hall, The Town Hall, and historically black universities. She performed with both Marian Anderson and Langston Hughes, and brought the works of African-American poets to Hispanic audiences via The Eusebia Cosme Show, which aired on CBS Radio from 1943 to 1945. She performed recitations in the United States through the late 1950s, worked as an abstract painter in the 1960s, and began acting in film and television in 1964. Cosme lived in Mexico City from 1966 to 1973, when she appeared in such films as The Pawnbroker and White Roses for My Black Sister. Her most noted role was as "Mamá Dolores", which she played repeatedly in her career. She first played this character, from Felix B. Caignet's radio drama El Derecho de nacer (The Right of Birth), in a 1955 stage performance in New York City. She repeated it in both the 1966 film and telenovela by the same name. In 1971 she filmed a spin-off, Mamá Dolores. Her performance in the 1966 film was recognized with the Premio Ónix as best actress.
After suffering a stroke in Mexico City in 1973, Cosme was moved to the United States and lived her final years in Miami. Located in Mexico, her effects were donated to the Schomburg Center for Research in Black Culture at the New York Public Library in Harlem. The archive has become an important resource for academics studying race, gender and social perception of not only Afro-Cubans in her era but also within the wider community of the African diaspora. (Full article...)
USAir Flight 405 was a regularly scheduled domestic passenger flight between LaGuardia Airport in Queens, New York City, New York, and Cleveland, Ohio. On March 22, 1992, a USAirFokker F28, registration N485US, flying the route, crashed in poor weather in a partially inverted position in Flushing Bay, shortly after liftoff from LaGuardia. The undercarriage lifted off from the runway, but the airplane failed to gain lift, flying only several meters above the ground. The aircraft then veered off the runway and hit several obstructions before coming to rest in Flushing Bay, just beyond the end of the runway. Of the 51 people on board, 27 were killed, including the captain and a member of the cabin crew.
A similar accident had happened three years before, when Air Ontario Flight 1363 crashed shortly after takeoff at Dryden Regional Airport after ice had accumulated on the wings and airframe. Of the 51 passengers and crew, 24 were killed.
The subsequent investigation revealed that due to pilot error, inadequate deicing procedures at LaGuardia, and several lengthy delays, a large amount of ice had accumulated on the wings and airframe. This ice disrupted airflow over the wing, increasing drag and reducing lift, which prevented the jet from lifting off the runway. The National Transportation Safety Board concluded that the flight crew was unaware of the amount of ice that had built up after the jet was delayed by heavy ground traffic taxiing to the runway. The report also listed the fact that the aircraft had begun its takeoff rotation too early at a lower speed than was standard as a contributing factor to the accident. (Full article...)
The facade is made of limestone and is symmetrically arranged, with both Palladian and neo-Georgian motifs. At ground level, the eastern portion of the facade contains the theater's entrance, with a marquee over it, while the stage door is to the west. A double-height central colonnade at the second and third floors conceals a fire-escape staircase; it is flanked by windows in the outer bays. The auditorium contains Adam style detailing, a large balcony, and two outwardly curved box seats within ornate archways. The theater was also designed with a comparatively small lobby, a lounge in the basement, and mezzanine-level offices.
Harris proposed the Music Box Theatre in 1919 specifically to host his productions with Berlin, and the Shubert family gained an ownership stake shortly after the Music Box opened. The theater initially hosted the partners' Music Box Revue nearly exclusively, presenting its first play, Cradle Snatchers, in 1925. Many of the Music Box's early productions were hits with several hundred performances. There were multiple productions by Moss Hart and George S. Kaufman in the 1930s, including Once in a Lifetime and The Man Who Came to Dinner. After Harris died in 1941, Berlin and the Shuberts shared ownership of the theater, and the Music Box largely showed dramas rather than musicals. The theater hosted several plays by William Inge in the 1950s. Though the length of production runs declined in later years, the Music Box has remained in theatrical use since its opening. The Shuberts acquired the Berlin estate's ownership stake in 2007. (Full article...)
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Park Row facade
The Park Row Building, also known as 15 Park Row, is a luxury apartment building and early skyscraper on Park Row in the Financial District of the New York Cityborough of Manhattan. The 391-foot-tall (119 m), 31-story building was designed by R. H. Robertson, a pioneer in steel skyscraper design, and engineered by the firm of Nathaniel Roberts. The Park Row Building includes 26 full floors, a partial 27th floor, and a pair of four-story cupolas. The architectural detail on the facade includes large columns and pilasters, as well as numerous ornamental overhanging balconies. J. Massey Rhind sculpted several ornamental details on the building, including the balconies and several figures atop the building.
The Park Row Building was developed by the Park Row Construction Company as an office building between 1897 and 1899. It used a steel frame and elevators to make it one of the world's tallest buildings at the time. It was constructed over a period of two years and nine months. Upon completion, about 4,000 people worked at the Park Row Building, with tenants such as the Associated Press and the Interborough Rapid Transit Company. Until the completion of the Singer Building in 1908, it was the city's tallest building and the world's tallest office building. The Park Row Building was used as an office structure until the early 2000s, when it was converted to residential use. Today, the Park Row Building consists of 339 luxury apartment units, two penthouse apartments, ground floor retail, and office suites located in the building's historic cupola space.
169th Street station opened on April 24, 1937, as the terminal station of the Independent Subway System's Queens Boulevard Line. This station was once heavily used because of the many bus connections available for riders heading further east within Queens. It became the closest subway station to the 165th Street Bus Terminal after the closure and demolition of the nearby 168th StreetBMT station on Jamaica Avenue in 1977. Ridership at 169th Street station declined significantly following the opening of the Archer Avenue lines in 1988. (Full article...)
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"He was a tall slight man, with a stoop, quick in his movements...his mobility of expression was so extreme that the very shape of his features actually changed with his emotions."
Jacob Little (March 17, 1794 – March 28, 1865) was an early 19th-century Wall Streetinvestor and the first and one of the greatest speculators in the history of the stock market, known at the time as the "Great Bear of Wall Street". Little was born in Newburyport, Massachusetts, and moved to New York City in 1817, first clerking for Jacob Barker; he then opened his own establishment in 1822, and finally his own brokerage in 1834. A market pessimist, Little made his wealth "bearing stocks", at turns short selling various companies and at others cornering markets to extract profits from other short sellers. Through his great financial foresight Little amassed an enormous fortune, becoming one of the richest men in America and one of the leading financiers on Wall Street in the 1830s and 1840s, but his speculative activities irritated his peers and earned him few admirers. Little lost and remade his legendary fortune multiple times before losing it for good in 1857; although a great many owed him enormous debts, he was a generous creditor and never collected them, and at his deathbed in 1865 Little was penniless. Although well-known on the stock market in his time, he was quickly forgotten after his death, and today has been relegated to relative obscurity. (Full article...)
Born in the Bronx, Spitzer attended Princeton University and earned his Juris Doctor degree from Harvard Law School. He began his career as an attorney in private practice with New York law firms before becoming a prosecutor with the office of the New York County (Manhattan) District Attorney. Spitzer defeated Republican incumbent Dennis Vacco in 1998 to become state attorney general, earning a reputation as the "Sheriff of Wall Street" for his efforts to curb corruption in the financial services industry. He was elected governor of New York in 2006 by the largest margin of any candidate, but his tenure lasted less than two years after it was uncovered he patronized a prostitution ring. He resigned immediately following the scandal, with the remainder of his term served by David Paterson, his lieutenant governor. (Full article...)
With a population of 2,405,464 as of the 2020 census, Queens is the second-most populous county in New York state, behind Kings County (Brooklyn), and is therefore also the second-most populous of the five New York City boroughs. If Queens were its own city, it would be the fourth most-populous in the U.S. after New York City itself, Los Angeles, and Chicago. Queens is the fourth-most densely populated borough in New York City and the fourth-most densely populated U.S. county. It is highly diverse as about 47% of its residents are foreign-born. (Full article...)
The Bronx (/brɒŋks/) is a borough of New York City, coextensive with Bronx County, in the U.S. state of New York. It is south of Westchester County; north and east of the New York City borough of Manhattan, across the Harlem River; and north of the New York City borough of Queens, across the East River. The Bronx is the only New York City borough not primarily located on an island. The Bronx has a land area of 42 square miles (109 km2) and a population of 1,472,654 at the 2020 census, its highest decennial census count ever. If each borough were ranked as a city, the Bronx would rank as the ninth-most-populous in the U.S. Of the five boroughs, it has the fourth-largest area, fourth-highest population, and third-highest population density. The population density of the Bronx was 32,718.7 inhabitants per square mile (12,632.8/km2) in 2022, the third-highest population density of any county in the United States, behind Manhattan and Brooklyn. With a population that is 54.8% Hispanic as of 2020, it is the only majority-Hispanic county in the Northeastern United States and the fourth-most-populous nationwide.
The Bronx is divided by the Bronx River into a hillier section in the west, and a flatter eastern section. East and west street names are divided by Jerome Avenue. The West Bronx was annexed to New York City in 1874, and the areas east of the Bronx River in 1895. Bronx County was separated from New York County (modern-day Manhattan) in 1914. About a quarter of the Bronx's area is open space, including Woodlawn Cemetery, Van Cortlandt Park, Pelham Bay Park, the New York Botanical Garden, and the Bronx Zoo in the borough's north and center. The Thain Family Forest at the New York Botanical Garden is thousands of years old and is New York City's largest remaining tract of the original forest that once covered the city. These open spaces are primarily on land reserved in the late 19th century as urban development progressed north and east from Manhattan. (Full article...)
Staten Island (/ˈstætən/STAT-ən) is the southernmost borough of New York City, coextensive with Richmond County and situated at the southernmost point of New York. The borough is separated from the adjacent state of New Jersey by the Arthur Kill and the Kill Van Kull and from the rest of New York by New York Bay. With a population of 495,747 in the 2020 Census, Staten Island is the least populated New York City borough but the third largest in land area at 58.5 sq mi (152 km2); it is also the least densely populated and most suburban borough in the city.
A home to the Lenape indigenous people, the island was settled by Dutch colonists in the 17th century. It was one of the 12 original counties of New York state. Staten Island was consolidated with New York City in 1898. It was formerly known as the Borough of Richmond until 1975, when its name was changed to Borough of Staten Island. Staten Island has sometimes been called "the forgotten borough" by inhabitants who feel neglected by the city government. It has also been referred to as the "borough of parks" due to its 12,300 acres of protected parkland and over 170 parks. (Full article...)
Named after the Dutch town of Breukelen in the Netherlands, Brooklyn shares a border with the borough of Queens. It has several bridge and tunnel connections to the borough of Manhattan, across the East River, and is connected to Staten Island by way of the Verrazzano-Narrows Bridge. With a land area of 69.38 square miles (179.7 km2) and a water area of 27.48 square miles (71.2 km2), Kings County is the state of New York's fourth-smallest county by land area and third smallest by total area. (Full article...)
Image 2Anderson Avenue garbage strike. A common scene throughout New York City in 1968 during a sanitation workers strike (from History of New York City (1946–1977))
Image 27The Sunday magazine of the New York World appealed to immigrants with this April 29, 1906 cover page celebrating their arrival at Ellis Island. (from History of New York City (1898–1945))
... that Lucy Feagin founded the Feagin School of Dramatic Art in New York City, where talent scouts for radio, screen, and stage were always present to watch her senior students' plays?
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