IntroductionWelcome to the Pan-Africanism portal!
Bienvenue sur le portail panafricanisme! ![]() ![]() Pan-Africanism is a worldwide movement that aims to encourage and strengthen bonds of solidarity between all indigenous peoples and diasporas of African ancestry. Based on a common goal dating back to the Atlantic slave trade, the movement extends beyond continental Africans with a substantial support base among the African diaspora in the Americas and Europe. Pan-Africanism can be said to have its origins in the struggles of the African people against enslavement and colonization and this struggle may be traced back to the first resistance on slave ships—rebellions and suicides—through the constant plantation and colonial uprisings and the "Back to Africa" movements of the 19th century. Based on the belief that unity is vital to economic, social, and political progress, it aims to "unify and uplift" people of African ancestry. (Full article...) Selected articleAfrican philosophy is philosophy produced by African people, philosophy that presents African worldviews, or philosophy that uses distinct African philosophical methods. African philosophers may be found in the various academic fields of philosophy, such as metaphysics, epistemology, moral philosophy, and political philosophy. African philosophy can also be defined as any epistemic endeavor that attempts to understand the world from an African perspective. It is therefore not just about Africa but about the world even if the location of the subject is Africa. Selected biography
Frances Cress Welsing (née Cress; March 18, 1935 – January 2, 2016) was an American Afrocentrist and psychiatrist. Her 1970 essay, The Cress Theory of Color-Confrontation and Racism (White Supremacy), offered her interpretation on the origins of what she described as white supremacy culture. She was the author of The Isis Papers: The Keys to the Colors (1991). Welsing caused controversy after she said that homosexuality among African-Americans was a ploy by white males to decrease the black population. Selected history![]()
The Scramble for Africa was the occupation, division, and colonization of African territory by European powers during the period of New Imperialism, between 1881 and 1914. It is also called the Partition of Africa and by some the Conquest of Africa. In 1870, only 10 percent of Africa was under formal European control; by 1914 it had increased to almost 90 percent of the continent, with only Ethiopia (Abyssinia) and Liberia still being independent. There were multiple motivations including the quest for national prestige, tensions between pairs of European powers, religious missionary zeal and internal African native politics. The Berlin Conference of 1884, which regulated European colonisation and trade in Africa, is usually referred to as the ultimate point of the scramble for Africa. Consequent to the political and economic rivalries among the European empires in the last quarter of the 19th century, the partitioning, or splitting up of Africa was how the Europeans avoided warring amongst themselves over Africa. The later years of the 19th century saw the transition from "informal imperialism" by military influence and economic dominance, to direct rule, bringing about colonial imperialism. Selected culture![]() ![]() African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the native African, African diasporas, such as African American, Caribbean and other American art. Despite this diversity, there are some unifying artistic themes when considering the totality of the visual culture from the continent of Africa. Masquerade, metalwork, sculpture, architecture, fiber art, and dance are important art forms across Africa and may be included in the study of African art. The term "African art" does not usually include the art of the North African areas along the Mediterranean coast, as such areas had long been part of different traditions. For more than a millennium, the art of such areas had formed part of Islamic art, although with many particular characteristics. The art of Ethiopia, with a long Christian tradition, is also different from that of most of Africa, where traditional African religion (with Islam in the north) was dominant until relatively recently. African art includes ancient art, Muslim art of North and West Africa, the Christian art of East Africa, and the ritualistic art of these and other regions. Most African sculpture was historically in wood and other natural materials that have not survived from earlier than, at most, a few centuries ago; older pottery figures can be found from a number of areas. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. Direct images of deities are relatively infrequent, but masks in particular are or were often made for religious ceremonies; today many are made for tourists as "airport art". Since the late 19th century there has been an increasing amount of African art in Western collections, the finest pieces of which are now prominently displayed. African mask art has had an important influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction. West African cultures developed bronze casting for reliefs, like the famous Benin Bronzes, to decorate palaces and for highly naturalistic royal heads from around the Bini town of Benin City, Edo State, in terracotta as well as metal, from the 12th–14th centuries. Akan goldweights are a form of small metal sculptures produced over the period 1400–1900; some apparently represent proverbs, contributing a narrative element rare in African sculpture; and royal regalia included impressive gold sculptured elements. Many West African figures are used in religious rituals and are often coated with materials placed on them for ceremonial offerings. The Mande-speaking peoples of the same region make pieces from wood with broad, flat surfaces and arms and legs shaped like cylinders. In Central Africa, however, the main distinguishing characteristics include heart-shaped faces that are curved inward and display patterns of circles and dots. Selected imagesOrganisationsAll-African People's Revolutionary Party · African Society for Cultural Relations with Independent Africa · African Unification Front · African Union · African Queens and Women Cultural Leaders Network · Conseil de l'Entente · Convention People's Party · East African Community · Economic Freedom Fighters · Global Afrikan Congress · International African Service Bureau · International League for Darker People · Organisation of African Unity · Pan African Association · Pan-African Congress · Pan Africanist Congress of Azania · Rassemblement Démocratique Africain · Pan Africa Chemistry Network · Pan African Federation of Accountants · Pan-African Freedom Movement for East and Central Africa · Sahara and Sahel Observatory · UNIA-ACL · ZANU–PF
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& Festivals![]() Photo by Helinä Rautavaara (1977) Publications
Films and TVAudios and videosDid you know![]() ...that A. F. James MacArthur (pictured) broadcast his standoff with the Baltimore Police Department to 10,000 online listeners?
Selected quotesIn addressing the first ever conference of the Organization of African Unity (1st May 1963). The Gambian Pan-Africanist and nationalist Alieu Ebrima Cham Joof delivered the following message:
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