Post-punk | |
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Etymology | Refers to certain developments after punk, although some groups predate the movement |
Other names | New musick |
Stylistic origins | |
Cultural origins | 1977; United Kingdom, United States |
Derivative forms | |
Subgenres | |
Fusion genres | |
Regional scenes | |
Local scenes | |
Leeds | |
Other topics | |
Post-punk (originally called new musick)[2] is a broad genre of music that emerged in 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature.[3][4] These communities produced independent record labels, visual art, multimedia performances and fanzines.
The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Magazine, Joy Division, Talking Heads, the Raincoats, Gang of Four, the Cure, and the Fall.[5] The movement was closely related to the development of ancillary genres such as gothic rock, neo-psychedelia, no wave, and industrial music. By the mid-1980s, post-punk had dissipated, but it provided a foundation for the new pop movement and the later alternative and independent genres.
there was such a thing as rock-rap fusion -- but it sounded very different from the rap-inflected nu metal of the late '90s. It was more like hardcore punk or artsy post-punk with breakbeats