Back سينجيتام سرينيڤاسا راو ARZ سینگیتام سرینیواسا رائو Persian Srinivasa Rao Singeetham French Singeetam Srinivasa Rao ID ಸಿಂಗೀತಂ ಶ್ರೀನಿವಾಸರಾವ್ Kannada சிங்கீதம் சீனிவாசராவ் Tamil సింగీతం శ్రీనివాసరావు Tegulu
Singeetam Srinivasa Rao | |
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| Born | September 21, 1931 |
| Nationality | Indian |
| Alma mater | University of Madras |
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| Awards | National Film Awards Nandi Awards Filmfare Awards South Karnataka State Film Awards |
Singeetam Srinivasa Rao (born 21 September 1931)[1] is an Indian film director, screenwriter, producer, composer, and actor. He is widely regarded as one of India's most versatile and innovative filmmakers.[2][3] He has directed around sixty films across multiple genres and languages, including Telugu, Kannada, Tamil, Hindi, and English and is credited with revolutionizing South Indian cinema through his experimental approach. He has garnered numerous accolades throughout his career, including two National Film Awards, five Nandi Awards, three Karnataka State Film Awards, and three Filmfare Awards South. In 2011, he was honoured with the Life Achievement Award by the Film Federation of India.
He began his career as an assistant to the esteemed director K. V. Reddy, working on iconic films such as Mayabazar (1957) and Jagadeka Veeruni Katha (1961). He made his directorial debut with the Telugu film Neethi Nijayithi (1972), and subsequently directed critically acclaimed social problem films like Dikkatra Parvathi (1974), which won the National Film Award for Best Feature Film in Tamil, and Tharam Marindi (1977), which won Nandi Award for Best Feature Film.
He went on to direct notable films like Panthulamma (1978), Mayuri (1985), Anand (1986), Pushpaka Vimana (1987), Aditya 369 (1991), Brundavanam (1992), Magalir Mattum (1994), Bhairava Dweepam (1994), Madam (1994), and Son of Aladdin (2003). Mayuri won a record 14 Nandi Awards, while Pushpaka Vimana, a dialogue-less film, earned the National Film Award for Best Popular Film. Aditya 369 and Bhairava Dweepam are celebrated as landmark films in the science fiction and fantasy genres, respectively, within Telugu cinema.
He is particularly noted for his collaborations with actors Rajkumar and Kamal Haasan, which resulted in several commercially successful and critically acclaimed films. With Kamal Haasan, he worked on films such as Sommokadidhi Sokokadidihi (1979), Raja Paarvai / Amavasya Chandrudu (1981), Pushpaka Vimana (1987), Apoorva Sagodharargal (1989) and Michael Madana Kama Rajan (1990). His collaboration with Rajkumar produced films like Haalu Jenu (1982), Chalisuva Modagalu (1982), Eradu Nakshatragalu (1983), and Bhagyada Lakshmi Baramma (1986).
- ^ Dundoo, Sangeetha Devi (19 September 2013). "My life is not drab". The Hindu. ISSN 0971-751X. Archived from the original on 7 February 2014. Retrieved 21 September 2020.
- ^ M. L., Narasimham (20 May 2005). "Spinning magic". The Hindu. Chennai, India. Archived from the original on 9 April 2006.
With an amazing display of mastery over a wide range of subjects from comedies to experimental socials to folklore to mythological to 3D animation films that no other contemporary filmmaker has attempted, Singeetham Srinivasa Rao completes half a century of film career this year.
- ^ Srinivasan, Pavithra (7 September 2010). "Singeetham Srinivasa Rao's gems before Christ". Rediff.com. Archived from the original on 17 September 2017. Retrieved 6 October 2014.
There's no stopping the drive and ambition of the veteran film-maker Singeetham Srinivasa Rao who has made film after successful film in Telugu, Tamil, Kannada, Malayalam, and Hindi in as many genres as he could, from mythology to laugh-aloud comedies.