Edward Swan Hennessy (24 November 1866 – 26 October 1929) was an Irish-American composer and pianist who lived much of his life in Paris.[1] In his pre-War piano music, he excelled as a miniaturist in descriptive, programmatic music. After joining a group of Breton composers, he developed a reputation as a "Celtic" composer, drawing on his Irish heritage, and writing in a style that was unique in a French as well as an Irish context. Even though he has been almost forgotten after 1950, his music was applauded by contemporary French music critics including Henri Collet, Louis Vuillemin, Émile Vuillermoz and Lucien Chevaillier.[2] In some works, he used jazz elements and took inspiration from funfairs and industrial noise, anticipating trends associated with the group of "Les Six".[3]
- ^ Hinson, Maurice & Roberts, Wesley: Guide to the Pianist's Repertoire, 4th edition (Bloomington, Indiana: Indiana University Press, 2013), p. 499; ISBN 978-0-253-01022-3.
- ^ For Collet and Chevaillier, see items in Bibliography and elsewhere; for Vuillemin, see reviews in Comoedia, particularly during 1911–1913, accessible via Gallica; for Vuillermoz, see Comoedia, 4 Mai 1914, Excelsior, 9 March 1925, etc.
- ^ Axel Klein: Bird of Time. The Music of Swan Hennessy (Mainz: Schott Music, 2019), pp. 186, 300-302, 347-359.