Talk:Karen O'Rourke

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Bibliography (secondary sources)

• France Huser, "Ces images qu'on téléphone", Le Nouvel Observateur du 26 avril 1990.
• Jean-Louis Boissier; "Machines à communiquer faites oeuvres", in Lucien Sfez (dir.), La communication, Paris, P.U.F., 1991, p.229. Republished in Jean-Louis Boissier, La relation comme forme: l'interactivité en art, Musée d'art moderne et contemporain, 2004, p. 109.
• Eduardo Kac, "Aspects of the Aesthetics of Telecommunications", Visual Proceedings, ACM Siggraph'92 (John Grimes et Gray Lorig, dirs.) Chicago, 1992, pp. 47-57. French translation in A. Bureaud et N. Magnan, Connexions: art, réseaux, media, Paris ENSBA, 2002, pp.265-266.
• Frank Popper, Art of the Electronic Age, Londres, Thames and Hudson, 1992 (French translation l'Art à l'âge électronique, Paris, Hazan, 1993, 134-136).
• Gilbertto Prado, “ As Redes artistico-telematicas ”, Imagens, Campinas (Brésil), Unicamp, N°3, Dec., 1994, pp.41-44.
• Gilbertto Prado, Expériences artistiques d’échanges d’images dans les réseaux télématiques: la lig/u/ne imaginaire, thèse de doctorat, Université de Paris I, 1994.
• Pascal Joseph, entretien avec Christophe Le François, “ Art-Réseaux : les traces parisiennes ”, Technikart N°13, avril-mai 1994, Paris, Bruxelles, Genève.
• Christophe Le François, « De l'œuvre à l'objet-document : l'influence américaine », communication ; « Les États-Unis entre science et fiction », Congrès de l’Association Française d’Études Américaines, Université de Metz, 23-25 May 1997. Published in Portuguese with the title « Da Obra au Objeto-Documento, A influêncio Americana » (1998). CADERNOS DA PÓS-GRADUACÀO, Instituto de Artes/unicamp, Ano 2, Volume 2, n°1
• Gilbertto Prado, “ Arte e Tecnologia: Produções Recentes No Evento ‘A Arte No Século XXI’ ” et “ Dispositivos Interativos: Imagens em Redes Telematicas ”, A Arte No Seculo XXI (org. D. Domingues), São Paulo, UNESP, 1997.
• Gilbertto Prado, “ Cronologia de Experiências Artísticas nas Redes de Telecomunicações ”, Trilhas, Campinas 6(1): 7-9, julho-dezembro 1997, pp.89-93, 97-98.
• Gilbertto Prado, “ Estudo e Criação de sites de Arte Na Rede Internet ”, IX Encontro Nacional da ANPAP, ANAIS vol.2, 1997.
• Judy Malloy, “On the (Art) Net”, Razon y Palabra, Número 9, Año 2, Noviembre - Enero 1997-98 http://www.cem.itesm.mx/dacs/publicaciones/ logos/anteriores/n9/onart.htm
• Paul Brown, “Networks and artworks: the failure of the user-friendly interface”, Stuart Mealing, Computers and Art, Bristol, Intellect, 1997, 2e édition Portland, Oregon, 2002, pp. 100-101.
• Fred Forest, Après l’art contemporain, pour un art actuel. L’art à l’heure d’Internet, Paris, L’Harmattan, 1998.
• Judy Malloy, "Hypernarrative in the Age of the Web" -- National Endowment for the Arts NEA arts.community, 1998 http://www.arts.endow.gov/artforms/Lit/Malloy.html
• Olga Kisseleva, Cyberart, un essai sur l’art du dialogue, Paris, L’Harmattan (coll. Ouverture Philosophique) 1998, pp.127-130, 135-137.
• Louis-José Lestocart, in Art Press, numéro spécial "Internet All Over", nov 1999.
• Jean-Paul Fourmentraux, « Habiter l'Internet : les inscriptions artistiques du Cyberart” Revue Solaris déc 2000-jan 2001 http://biblio-fr.info.unicaen.fr/bnum/jelec/Solaris/d07/7fourmentraux.html
• Annick Bureaud, "CD-Rom : œuvre ou document?", Art Press, n°265, février 2001, p.91.
• Stephen Wilson, Information Arts: Intersections of Art, Science, and Technology, Cambridge, MIT Press, 2001, pp.487, 525, 569-570, 828.
• Gilbertto Prado, “Experimentaçoes artisticas em redes telematicas e web”, Lucia Leao, Interlab: labirintos do pensamento contemporâneo, Editora Iluminuras Ltda, 2002 p. 120.
• Paul Ardenne, Un Art contextuel, Paris, Flammarion, 2002, p. 176.
• Annick Bureaud, « Art de la communication – art des réseaux – net art », « Art of Communication – Art of Networks – Net art », Art Press n° 285, décembre 2002.
• Anna Couey, "Restructuring Power: Telecommunications Works Produced by Women", in J. Malloy ed., Women in New Media, Cambridge, MIT Press, 2003
• Christina Ray, Dave Mandl et al., "An Overview of Psy.Geo.Conflux 2003", YEAR ZERO ONE FORUM: ISSUE#12 -Summer 2003: Psychogeography - Space, Place and Perception.
• Florence de Meredieu, Arts et nouvelles technologies, art vidéo, art numérique, Paris, Larousse. 2003
• Gilbertto Prado, « Expériences artistiques dans les réseaux télématiques : Projets récentes d'environnements virtuels multi-utilisateurs au Brésil » Actes du colloque Artmedia 8: de l'Esthétique de la communication au net art, Ligeia, Paris, 2003
• Gilbertto Prado, Arte telemática: dos intercâmbios pontuais aos ambientes virtuais multiusuário, São Paulo, Itaú Cultural, 2003
• Claire Lahuerta, « Le sang menstruel dans l'art contemporain. Entre sécrétions et fureur utérine : histoire d'un héritage », in Dominique Chateau et Claire Leman, Représentation et modernité: travaux de doctorants en esthétique de l'École doctorale arts plastiques, esthétique et sciences de l'art, Paris, Publications de la Sorbonne, 2003, pp. 187-189.
• Stéphan Barron, Technoromantisme, Paris, L'Harmattan, 2003, 93-96.
• Puck, « Paris, Berlin, São Paulo », Fluctuat 29/10/2004 http://fluctuat.premiere.fr/Societe/News/Paris-Berlin-Sao-Paulo-3177094
• Eduardo Kac, Telepresence & Bio Art : networking humans, rabbits, & robots, University of Michigan Press, 2005, pp. 7, 46-48, 54.
• Jean-Paul Fourmentraux, « Art et réseau : genèse de la [télé]communication créative », Hermès, La Revue 1/2008 (n° 50) , p. 115-120 URL : www.cairn.info/revue-hermes-la-revue-2008-1-page-115.htm.
• Fred Forest, Art et Internet, Paris, Editions Cercle d'art, 2008, 116-119 (a screenshot from A Map Larger than the Territory appears on the back cover).
• Stephen Wilson, Art + Science: How scientific research and technological innovation are becoming key to 21st-century aesthetics, (published in English and French editions simultaneously) Londres/Paris: Thames and Hudson, 2010, pp.182, 186.
• Gilbertto Prado, “Redes y espacios artisticos de intervencion”, Estética, ciencia y tecnología: creaciones electrónicas y numéricas, Iliana Hernández García (Compiladora), p. 176.
• Philippe Monfouga, Des archives à l'archive: l'archivage comme processus de création artistique, CreateSpace Independent Publishing Platform, 2013, p.45-47.

* Additional Reviews of Walking and Mapping: Artists as Cartographers

• Violaine White, « Ce que la carte dit dans l’art », Acta fabula, vol. 14, n° 7, Notes de lecture, Octobre 2013, URL : http://www.fabula.org/revue/document8110.php
• Simon Ferdinand, Review of 'Walking and Mapping: Artists as Cartographers' by Karen O'Rourke Cartographica 48:4, 2013, pp. 338–339 University of Toronto Press doi:10.3138/carto.48.4.rev06 http://utpjournals.metapress.com/content/x1t758183817j363/?p=1850f052873b4181a90c3eb8988081cb&pi=5
• Angeliki Sioli, A review of Karen O’Rourke’s Walking and Mapping: Artists as Cartographers, published in 2013 by the MIT Press. Montreal Architectural Review, Vol 1, 2014. Full Text: PDF.
• « Wandel Kunst » (in Dutch), Metropolis M, N°6, décembre 2013.
• Tania Vladova, «  Karen O’Rourke, Walking and Mapping: Artists As Cartographers », Critique d’art, note de lecture mise en ligne le 01 juin 2016. URL : http://critiquedart.revues.org/17629
• Phil Smith, “Walking and Mapping” Book Review, Mythogeography.http://www.mythogeography.com/walking-and-mapping.html
• Roy Christopher, “These Books Were Made for Walking“, Roy Christopher Reviews, March 4th, 2014.http://roychristopher.com/the-art-of-walking
• Jeff Thurston, “Book Review: Walking and Mapping“, 3D Visualization World Magazine, November 13, 2016.https://3dvisworld.com/features/book-reviews/13284-book-review-walking-and-mapping.html?utm_source=newsletter&utm_medium=email&utm_campaign=Newsletter+-+3D+Visualization+World+Magazine+-+November+2016

• Reason for the change: In response to the message posted at the top of the article, here is a list of secondary sources (by critics or historians writing about my work) which could be used to improve this stub.
• References supporting change: In most of the references I give the URL or page number.

Karenor (talk) 21:46, 29 June 2024 (UTC)[reply]

I see the note about additional reviews for Walking and Mapping; however, that publication is already adequately covered in the Wikipedia article. If you have reviews for the other book (From the arts-networks to programmed drifts: current events in “art as experience”), that would be helpful. DaffodilOcean (talk) 15:33, 1 July 2024 (UTC)[reply]