Most Tibetan Buddhist monasteries, temples and other religious structures in the Himalayas were decorated with Tibetan Buddhist wall paintings. Despite much destruction in Tibet itself, many of these survive, the dry climate of the Tibetan plateau assisting their survival, as the wet Indian climate has reduced survival of paintings from there. There are some regional differences, but the techniques described here cover the traditional wall paintings across this area. The wall paintings were executed on earthen plaster with the secco-technique.[1] A secco-technique is a painting technique in which the pigments with their binder are employed to paint onto a dry (Italian: secco) wall.[[1]]
- ^ Agrawal, O.P. (ed.) (1989) "Wall Paintings - Asian Perspective. In: Wall Paintings of India- A Historical Perspective. Lucknow, p.1.