Tin Machine (album)

Tin Machine
CD edition
Studio album by Tin Machine
Released	22 May 1989 (1989-05-22)
Recorded	August 1988 – mid-1989
Studio	Mountain (Montreux, Switzerland) Compass Point (Nassau, Bahamas)
Genre	Rock hard rock art rock noise rock
Length	56:49
Label	EMI America
Producer	Tin Machine Tim Palmer
Tin Machine chronology
Tin Machine (1989) Tin Machine II (1991)
David Bowie chronology
Never Let Me Down (1987) Tin Machine (1989) Sound + Vision (1989)
Singles from Tin Machine
"Under the God" / "Sacrifice Yourself" Released: June 1989 "Tin Machine" / "Maggie's Farm" Released: September 1989 "Prisoner of Love" / "Baby Can Dance" Released: October 1989
Alternative cover
LP edition

Tin Machine is the debut studio album by the Anglo-American hard rock band Tin Machine, released on 22 May 1989 through EMI America Records. The band consisted of the English singer-songwriter David Bowie, the American guitarist Reeves Gabrels and brothers Tony Fox and Hunt Sales on bass and drums, respectively, while Englishman Kevin Armstrong acted as an additional guitarist. The project was spearheaded by Bowie, who felt disconnected in his career by 1987 and looked to reinvent himself. After meeting Gabrels through his Glass Spider Tour, the two agreed to work together and would collaborate frequently for the next decade. Bowie hired the Sales brothers, neither of whom he had worked with since the 1970s, after a meeting in Los Angeles, while English producer Tim Palmer was hired to co-produce.

The album was recorded in August 1988 at Mountain Studios in Montreux, Switzerland, and later at Compass Point Studios in Nassau, Bahamas in the spring of 1989. The sessions were productive despite personality clashes among the members. The tracks were mostly recorded live in few takes, with Bowie improvising lyrics while standing at the microphone, resulting in a predominantly hard rock sound and lyrics discussing world issues and love. Tin Machine named themselves and the album after one of the tracks. Unlike Bowie's previous backing bands, Tin Machine acted as a democratic unit, which was reflected in promotional interviews.

Upon release, the album peaked at number three on the UK Albums Chart, although sales declined quickly. It was accompanied by three singles and a 13-minute long music video containing performances of the tracks. Like its supporting concert tour, Tin Machine received mixed reviews and continues to receive similar assessments from Bowie's biographers, who mainly criticise the lyrics and lack of melodies. Nevertheless, some reviewers noted that the band were exploring grunge and alternative rock styles before those styles became popular. Tin Machine began recording a follow-up album in late 1989 before Bowie embarked on the solo Sound+Vision Tour. Bowie later rerecorded "I Can't Read" during the sessions for his 1997 album Earthling.