Voting period is over. Please don't add any new votes. Voting period ends on 5 Feb 2018 at 16:57:17 (UTC)
Original – Typhoon Noru, with the tropical storm (or above) duration of 19 days, had all requirements of an annular typhooon on July 31, 2017, as it did not have clear rainbands and significant cirrus clouds. The size of Noru’s eye is average but relatively large for that small and axisymmetric system.
Reason
High-resolution picture of a nearly perfect annular typhoon at its peak intensity. NASA’s Aqua satellite captured Typhoon Noru with a pefect angle, presenting an exquisite tropical cyclone. In the picture, the eye is so symmetric and deep; the convective ring looks so compact and smooth, but it does not attach to the monsoon trough. Moreover, the eye and the convective ring are in the golden ratio. When I initially saw the image last July, I was truly touched beyond words. I have checked many beautiful tropical cyclones in Wikipedia, yet none of them is really comparable. Aside from the extremely rare appearance, Noru was the second strongest typhoon of 2017 and the second longest lasting Northwest Pacific tropical storm in history, which ultimately struck Japan.
@Geni: As the picture was captured near noon and in summer, sunlight over the area was too bright that even caused significant overexposure. The typhoon itself also enhanced the effect of overexposure as its cloud top was too smooth to have obvious shadows. The original picture looked completely white without optimization. A Himawari-8 animation on that day also revealed how the satellite solved overexposure. 🐱💬02:06, 1 February 2018 (UTC)[reply]
Info You can put image there, but my intention is to show Jasenovac logor. These days in United Nations there is opened this exhebition, and Croatian government didn't want it, they try to hide it. Logor is standing in Croatian border between Bosnia and Croatia, huge etermination logor Gradina was part of it. @Janke i dont believe sunny, shiny picture can suit this place. Remember Schindler's list, what color was it? Please read more about it. So country which opened logor and was killing is now protesting, something like Germany would protest against commemorating in Dachau or Auschwitz. In time of Yugoslavia it was always opened, now Croatia close that museum. Chris Woodrich this is not just a picture, it is something more. Should be on main page on commemoration day. Thats is why i put it here. Quality, temperature, colors are more than great for showing this site. --PetarM (talk) 08:45, 30 January 2018 (UTC)[reply]
Other parts of Camps in Jasenovac were destroyed, so isn't like some in Poland. We should make some exceptions for Picture of the day, like this and some others, which might not get FP star, but they have bigger relevance. --PetarM (talk) 15:07, 30 January 2018 (UTC)[reply]
Chris Woodrich Actually i havent saw any other structure than this which isnt part of Commons. If you see Commons site for Jasenovac you will see just horror. Those pics are low quality, small resolution, and i doubt poeple here would support voting. --PetarM (talk) 09:39, 1 February 2018 (UTC) p.S. In other case, it was only logor which Nazists didnt control, and Croats didnt do much photos, or destroyed. In any case, Red Army was faster before Germans destroyed them.[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 8 Feb 2018 at 10:26:22 (UTC)
Original – A Lōdal Evo T-28 waste collection truck operated by Recology in San Francisco, California, USA. This vehicle is a side-loading compacting waste collection truck. Waste is loaded into the hopper located in the middle of the vehicle, which is then compressed into the body by a hydraulic ram.
Reason
high image quality, already an FP, VI, and QI on Wikimedia Commons
Oppose While this is a clear and useful image, I agree that the absence of a background is a problem: professional photos of vehicles tend to have either relevant backgrounds or some kind of neutral backing rather than portraying them as floating in space here. Nick-D (talk) 11:00, 30 January 2018 (UTC)[reply]
If I were writing a print encyclopedia, I'd definitely use this. In fact, I wouldn't be surprised if some of the encyclopedias I had as a child used something similar. — Chris Woodrich (talk) 00:58, 1 February 2018 (UTC)[reply]
Support - Very nice, clear photo that has no obvious problem areas. The white background actually seems to make this vehicle/photo pop out even more, which is nice. Goveganplease (talk) 15:31, 1 February 2018 (UTC)[reply]
Support - I see how an artificial background can be distracting, but this being a piece of machinery, not just a vehicle, and this being an encyclopedia I am Ok with it. I see sufficient EV to support. Bammesk (talk) 16:20, 4 February 2018 (UTC)[reply]
Its not stacking as i do often. It's focal bracketing, if you have it on camera. Means you push button at (say) f/6.3 so it goes f/6.3,f/7.1,f/8 straight (if you put 3 shots, i have 5 also, so is increasing that number). They you set Median stack, getting rid of some noise, while you set the bird on best f. It is some working, but the shot is a keeper. You might move, the background is far from being sharp anyway, erase tool can help (3 shots - 3 layers in a stack). EVen if you are afraid which f would be good, you can still choose just one. Better than putting manual. --PetarM (talk) 16:53, 31 January 2018 (UTC)[reply]
Thanks. Camera does not have that F no. facility but does have night-scene-hand-held which combines 4 images, but too much sharpness is lost with these approaches (such as AEB Automatic Exposure Bracketing) when protographing the hairs and feathers on wildlife. Charlesjsharp (talk) 18:25, 31 January 2018 (UTC)[reply]
An idea: You might simply shoot a burst of 3 to 5 images (most cameras have burst mode), then edit/average out the grain in the background, but keep the best frame of the bird... The slight grain doesn't bother me, so Support. In fact, the spider thread bothers me more... ;-) --Janke | Talk13:57, 1 February 2018 (UTC)[reply]
There is no consensus on how much space to leave. See my current FP nomination on Commons where The Photographer argues exactly the opposite to Chris's suggestion!: [[1]]. As long as there is enough space in an uploaded version I think the argument on a portrait is not so important. More important on a landscape-type image. Charlesjsharp (talk) 14:29, 1 February 2018 (UTC)[reply]
@Dllu: I simply said I'd support a tighter crop. Maybe 150px on the top, 200px on the right, or something like that. I understand the point of lead room. However, given that the subject is static, and the EV of the image is related to its appearance within articles (at thumbnail size), I think that a slightly closer crop would work best on en-Wiki. — Chris Woodrich (talk) 14:43, 1 February 2018 (UTC)[reply]
And if you are croping, than do left side also so tree would start from diagonal. And bird will become a bit biger also. --PetarM (talk) 09:55, 2 February 2018 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 9 Feb 2018 at 04:32:09 (UTC)
Original – A Roman marble statue of a Discobolus (discus thrower) from the National Roman Museum in Palazzo Massimo alle Terme.
Reason
I think it easily meets the quality requirements of 1, 2, and 3. The picture is well formatted and of very high quality. The statue itself does not have huge historical importance, but it is a great example of Roman Discobolus statues. It is a featured and quality picture on Commons, and featured on the Persian wiki.
I think Renata was hoping for this information to be in the image description as well. If you open the image on Wikipedia, you can't see the notes. — Chris Woodrich (talk) 01:32, 10 February 2018 (UTC)[reply]
Support - Composition is slightly unbalanced, can't tell why it feels like that, but how about cutting off about 5% from the right and top? --Janke | Talk11:27, 12 February 2018 (UTC)[reply]
I don't think the top needs cropping, but tend to agree with Janke that the indistinct background (due to shallow DOF) could be cropped somewhat on the right and maybe even a bit on the left. (I find expanses of unfocused background distracting: The eye tends to search for some visual information about variations in the blurry tableau.) Sca (talk) 14:48, 13 February 2018 (UTC)[reply]
Of course not - we just told you what we think/feel... Besides, I already supported! ;-) Somehow, I'd like to see the "face circle" centered within the frame - not that it affects EV at all, but would make for a more striking (and larger!) image on the Main Page... --Janke | Talk18:40, 13 February 2018 (UTC)[reply]
Voting period is over. Please don't add any new votes. Voting period ends on 26 Feb 2018 at 19:04:28 (UTC)
Original — Titled “Portrait of Boy” in the artist’s private logbook, with no further elaboration, but traditionally known as “Frankie, The Organ Boy”, Bellows’ portrait is of a child with a visible midline defect, possibly due to a chromosomal microdeletion; the sitter was either a seller of newspapers, since his nickel badge gives him permission to be out of school during daylight hours, or (more likely to my mind) a musician working in the very earliest movie houses in the vicinity of Bellows’ New York City studio. Possibly painted in a single sitting, the portrait pays tribute to the sitter “in the grand manner” as a full-body, formal, and ‘royal’ portrait.
Reason
An excellent and faithful Google Art Project reproduction of one of George Bellows’ most important early works, on which I intend to commence a new article
Comment - Perhaps it's premature to nominate the photograph before there is a page made for this painting? As it stands now, it has limited EV. But with it's own page it would have very high EV. Mattximus (talk) 18:50, 18 February 2018 (UTC)[reply]
Reply I will hop to it in the next few days. Like Gauguin’s Arii Matamoe and Ingres’ Louise de Broglie, Comptesse d’Haussonville, both of which became DYKs with Main Page photos, “Frankie, The Organ Boy” deserves wider Wikipedia notice (I think). Would it be proper here to credit Google Art Project as the Creator of the image, or Bellows himself? (Thanks everyone for their patience and advice, while I gather sources.) Vesuvius Dogg (talk) 14:18, 19 February 2018 (UTC)[reply]
Withdrawn Because there’s a delicate dance of timing involved in the DYK process — a new article needs to be of a certain quality, as we all know, particularly in regards to proper sourcing, before it can be considered for DYK (front page “new article” status) — and perhaps because I have a particularly high standard for my own work when it’s something as dear as this particular subject, I’d like to table this FA nomination indefinitely, and hope I may do so “without prejudice”, per the legal term of art, so that I may re-nominate it at a later date without prior objection. At the moment, I don’t have access to academic databases, nor the money for xeroxing a few articles and chapters I’ve consulted over the years in various art historical, medical, and genealogical libraries, which is only to hint that, without giving away what I’ve found (O yes, it certainly qualifies as “Original Research”, and Wikipedia is no place for that), my ambition is to build a veriably-sourced platform article on Wikipedia, based on existing art historical scholarship about this painting, after which I later publish something elsewhere on my own. But that would not be for me to insert, and all this lays years ahead... But to know who “Frankie” really was, the identity of his (Irish) mother and (non-Irish, but... but...) father, and how this his remarkable story relates to, indeed, the VERY first days of narrative cinema (in what we today call “shorts”, shown in the very first pop-up theaters in the neighborhood of Bellows’ painting studio, many blocks from his actual residence)... To think of the storytelling inherent in the visual medium of film, and all that still to cone in this beave new art form, and the diegetic (“diegetic” being just a fancy word for “story-telling”) qualities of the very first music went with it, wholly improvised (as was so batural to Frankie, from his earliest days at the Harmonium, though in his life he could barely write his name and was never able to read, words or music, almost certainly because of the problem with his eyes, b/c he could not see close-up, but also because he fidgeted so when you tried to put a book in front of him and... well, he was never attentive to anything but...but to ANYTHING but music, and sounds, and the comedy of life all around him that could wake at his tocih) now, all that IS a novel. So when you think of the great film composers later to come, from Nino Rota to John Williams and on and on, so many others, think of their progenitors, and a painter eho had the vision to depict Frankie “in the grand manner”, as a figure of royalty, of honor. Think of where film and music were first married, and the “anonymous” musicians who married them. And bear with me, and with the indulgence of an FA nomination prorogued. Vesuvius Dogg (talk) 16:41, 24 February 2018 (UTC)[reply]