Young Americans

Young Americans
Studio album by David Bowie
Released	7 March 1975 (1975-03-07)
Recorded	August 1974 – January 1975
Studio	Sigma Sound, Philadelphia Record Plant, New York City Electric Lady, New York City
Genre	Blue-eyed soul R&B funk rock
Length	40:00
Label	RCA
Producer	David Bowie Harry Maslin Tony Visconti
David Bowie chronology
David Live (1974) Young Americans (1975) Station to Station (1976)
Singles from Young Americans
"Young Americans" Released: 21 February 1975 "Fame" Released: 2 June 1975 (US) 25 July 1975 (UK)

Young Americans is the ninth studio album by the English musician David Bowie, released on 7 March 1975 through RCA Records. A departure from the glam rock style of previous albums, the record showcased Bowie's interest in soul and R&B. Music critics have described the sound as blue-eyed soul; Bowie himself labelled the album's sound "plastic soul".

Recording sessions began at Sigma Sound Studios in Philadelphia in August 1974, after the first leg of his Diamond Dogs Tour. The record was produced by Tony Visconti, and includes a variety of musicians, such as the guitarist Carlos Alomar, who became one of Bowie's most frequent collaborators, and the backing vocalists Ava Cherry, Robin Clark and then-unknown singer Luther Vandross. As the tour continued the setlist and design began to incorporate the influence of the new material. The recording sessions continued at the Record Plant in New York City at the tour's end. A collaboration between Bowie and John Lennon yielded a cover of Lennon's Beatles song "Across the Universe" and an original, "Fame", during a January 1975 session at Electric Lady Studios, produced by Harry Maslin. The album's cover artwork is a back-lit photograph of Bowie taken by Eric Stephen Jacobs.

Young Americans was Bowie's breakthrough in the US, reaching the top 10 on the Billboard chart; "Fame" became Bowie's first number one hit single. Bowie continued developing its sound on Station to Station (1976). Young Americans has received mixed critical reviews on release and in later decades; Bowie himself had mixed feelings about the album. The album proved influential. Bowie was one of the first white artists of the era to overtly engage with black musical styles; other British artists followed suit. The album has been reissued multiple times with outtakes, and was remastered in 2016 as part of the Who Can I Be Now? (1974–1976) box set.